Ando devagar porque já tive pressa
Levo esse sorriso porque já chorei demais
Hoje me sinto mais forte, mais feliz quem sabe
Só levo a certeza de que muito pouco eu sei
Eu nada sei
Conhecer as manhas e as manhãs,
O sabor das massas e das maçãs,
É preciso amor pra poder pulsar,
É preciso paz pra poder sorrir,
É preciso a chuva para florir
Penso que cumprir a vida seja simplesmente
Compreender a marcha e ir tocando em frente
Como um velho boiadeiro levando a boiada
Eu vou tocando os dias pela longa estrada eu vou
Estrada eu sou
Conhecer as manhas e as manhãs,
O sabor das massas e das maçãs,
É preciso amor pra poder pulsar,
É preciso paz pra poder sorrir,
É preciso a chuva para florir
Todo mundo ama um dia.
Todo mundo chora
Um dia a gente chega
e no outro vai embora
Cada um de nós compõe a sua história
Cada ser em si carrega o dom de ser capaz
De ser feliz
Conhecer as manhas e as manhãs
O sabor das massas e das maçãs
É preciso amor pra poder pulsar,
É preciso paz pra poder sorrir,
É preciso a chuva para florir
Ando devagar porque já tive pressa
E levo esse sorriso porque já chorei demais
Cada um de nós compõe a sua história,
Cada ser em si carrega o dom de ser capaz
De ser feliz
--------
Tocando em Frente
Almir Sater
Composição: Almir Sater e Renato Teixeira
Cosas que encontré por ahí, me interesaron y no sabía donde guardarlas...
sábado, 10 de octubre de 2009
domingo, 4 de octubre de 2009
Carlos Keen
Mateando en la vereda
Cara sucia en la vereda,
Angelito pies descalzos,
que se nutre con el pan,
que le acercan otras manos.
que le acercan otras manos.
Matecito en el umbral,
del caseron de su pueblo.
Para descubrir quien soy
me miro en tus ojos negros.
Quiero extenderte mi mano
y hacerme pan en tu mesa.
Quiero compartir tus mates,
para entender tu probreza.
Maria Alejandra Brein
30 Junio 2009
Inspirado en la fotografia de Osvaldo Alberto
Muestra fotografica "Pueblos y emociones"
Carlos Keen, Provincia de Buenos Aires
del caseron de su pueblo.
Para descubrir quien soy
me miro en tus ojos negros.
Quiero extenderte mi mano
y hacerme pan en tu mesa.
Quiero compartir tus mates,
para entender tu probreza.
Maria Alejandra Brein
30 Junio 2009
Inspirado en la fotografia de Osvaldo Alberto
Muestra fotografica "Pueblos y emociones"
Carlos Keen, Provincia de Buenos Aires
domingo, 20 de septiembre de 2009
Warning Sign
A warning sign,
I missed the good part then I realized,
I started looking and the bubble burst.
I started looking for excuses.
Come on in,
I've gotta tell you what a state I'm in,
I've gotta tell you in my loudest tones,
That I started looking for a warning sign.
When the truth is, I miss you.
Yeah the truth is, That I miss you so.
A warning sign,
You came back to haunt me and I realized
you were an island and I passed you by,
You were an island to discover.
Come on in,
I've gotta tell you what state I'm in,
I've gotta tell you in my loudest tones,
That I started looking for a warning sign.
When the truth is, I miss you.
Yeah the truth is, That I miss you so.
And I'm tired, I should not have let you go.
So I crawl back into your open arms.
Yes, I crawl back into your open arms.
And I crawl back into your open arms.
Yes, I crawl back into your open arms...
Coldplay, A Rush of Blood to the Head
I missed the good part then I realized,
I started looking and the bubble burst.
I started looking for excuses.
Come on in,
I've gotta tell you what a state I'm in,
I've gotta tell you in my loudest tones,
That I started looking for a warning sign.
When the truth is, I miss you.
Yeah the truth is, That I miss you so.
A warning sign,
You came back to haunt me and I realized
you were an island and I passed you by,
You were an island to discover.
Come on in,
I've gotta tell you what state I'm in,
I've gotta tell you in my loudest tones,
That I started looking for a warning sign.
When the truth is, I miss you.
Yeah the truth is, That I miss you so.
And I'm tired, I should not have let you go.
So I crawl back into your open arms.
Yes, I crawl back into your open arms.
And I crawl back into your open arms.
Yes, I crawl back into your open arms...
Coldplay, A Rush of Blood to the Head
jueves, 17 de septiembre de 2009
Deep Blue Something
You say that we've got nothing in common
No common ground to start from
And we're falling apart
You'll say the world has come between us
Our lives have come between us
But I know you just don't care
CHORUS:And I said what about "Breakfast at Tiffany's?
She said, "I think I remember the film,
And as I recall, I think, we both kinda liked it."
And I said, "Well, that's the one thing we've got."
I see you - the only one who knew me
And now your eyes see through me
I guess I was wrongSo what now?
It's plain to see we're over,
And I hate when things are over -
When so much is left undone
CHORUS:And I said what about "Breakfast at Tiffany's?
She said, "I think I remember the film,
And as I recall, I think, we both kinda liked it."
And I said, "Well, that's the one thing we've got."
You say that we've got nothing in common
No common ground to start from
And we're falling apart
You'll say the world has come between us
Our lives have come between us
But I know you just don't care
CHORUS:And I said what about "Breakfast at Tiffany's?
She said, "I think I remember the film,
And as I recall, I think, we both kinda liked it."
And I said, "Well, that's the one thing we've got."
No common ground to start from
And we're falling apart
You'll say the world has come between us
Our lives have come between us
But I know you just don't care
CHORUS:And I said what about "Breakfast at Tiffany's?
She said, "I think I remember the film,
And as I recall, I think, we both kinda liked it."
And I said, "Well, that's the one thing we've got."
I see you - the only one who knew me
And now your eyes see through me
I guess I was wrongSo what now?
It's plain to see we're over,
And I hate when things are over -
When so much is left undone
CHORUS:And I said what about "Breakfast at Tiffany's?
She said, "I think I remember the film,
And as I recall, I think, we both kinda liked it."
And I said, "Well, that's the one thing we've got."
You say that we've got nothing in common
No common ground to start from
And we're falling apart
You'll say the world has come between us
Our lives have come between us
But I know you just don't care
CHORUS:And I said what about "Breakfast at Tiffany's?
She said, "I think I remember the film,
And as I recall, I think, we both kinda liked it."
And I said, "Well, that's the one thing we've got."
sábado, 5 de septiembre de 2009
Anyone Else But U
Your part time lover and a full time friend,
The monkey on the back is the latest trend,
Don't see what anyone can see,
In anyone else,
But you
Here is a church and here is a steeple,
We sure are cute for two ugly people,
Don't see what anyone can see,
In anyone else,
But you
We both have shiny happy fits of rage,
I want more fans, you want more stage,
Don't see what anyone can see,
In anyone else,
But you
I'm always tryin to keep it real,
Now I'm in love with how you feel,
I don't see what anyone can see,
In anyone else,
But you
I kiss you on the brain in the shadow of the train,
I kiss you all starry eyed,
My body swings from side to side,
I don't see what anyone can see,
In anyone else,
But you
The pebbles forgive me,
The trees forgive me,
So why can't,
You forgive me?
I don't see what anyone can see,
In anyone else,
But you
Du du du du du du dudu
Du du du du du du dudu
I don't see what anyone can see,
In anyone else,
But you.
Michael Cera & Ellen Page
From the movie Juno.
The monkey on the back is the latest trend,
Don't see what anyone can see,
In anyone else,
But you
Here is a church and here is a steeple,
We sure are cute for two ugly people,
Don't see what anyone can see,
In anyone else,
But you
We both have shiny happy fits of rage,
I want more fans, you want more stage,
Don't see what anyone can see,
In anyone else,
But you
I'm always tryin to keep it real,
Now I'm in love with how you feel,
I don't see what anyone can see,
In anyone else,
But you
I kiss you on the brain in the shadow of the train,
I kiss you all starry eyed,
My body swings from side to side,
I don't see what anyone can see,
In anyone else,
But you
The pebbles forgive me,
The trees forgive me,
So why can't,
You forgive me?
I don't see what anyone can see,
In anyone else,
But you
Du du du du du du dudu
Du du du du du du dudu
I don't see what anyone can see,
In anyone else,
But you.
Michael Cera & Ellen Page
From the movie Juno.
viernes, 21 de agosto de 2009
Non, je ne regrette rien
Non, rien de rien
Non, je ne regrette rien
Ni le bien qu' on m' a fait
Ni le mal tout ça m' est bien égal
Non, rien de rien
Non, je ne regrette rien
C' est payé balayé oublié
Je me fous du passé
Avec mes souvenirs
J' ai allumé le feu
Mes chagrins mes plaisirs
Je n' ai plus besoin d' eux
Balayés les amours
Avec tous leurs trémolos
Balayés pour toujours
Je repars à zéro
Refrain
Non rien de rien
Non, je ne regrette rien
Ni le bien qu' on m' a fait
Ni le mal tout ça m' est bien égal
Non, rien de rien
Non, je ne regrette rien
Car ma vie car mes joies
Aujourd' hui ça commence avec toi
Edith Piaf
Non, je ne regrette rien
Ni le bien qu' on m' a fait
Ni le mal tout ça m' est bien égal
Non, rien de rien
Non, je ne regrette rien
C' est payé balayé oublié
Je me fous du passé
Avec mes souvenirs
J' ai allumé le feu
Mes chagrins mes plaisirs
Je n' ai plus besoin d' eux
Balayés les amours
Avec tous leurs trémolos
Balayés pour toujours
Je repars à zéro
Refrain
Non rien de rien
Non, je ne regrette rien
Ni le bien qu' on m' a fait
Ni le mal tout ça m' est bien égal
Non, rien de rien
Non, je ne regrette rien
Car ma vie car mes joies
Aujourd' hui ça commence avec toi
Edith Piaf
domingo, 26 de julio de 2009
Johann Petri
Was d' ewich liebscht,
das is uf ewich dein.
------
Lerchegsang un Wachtschlag, Johann Petri
Donauschwaebisches Schrifttum, Heft 6
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